Enjoy our fab video from our two Murder Mystery shows this month.

Our May Newsletter here

AGA Minutes Email to members

Blithe Spirit by Noel Coward
Directed by Frank Remiatte
Carlos do Carmo auditorium, 13,14,15 March 2025
Edith (the maid) Maria
Ruth Condomine – Angela Theobold
Charles Condomine – Trevor Vasey
Mrs Bradman- Lisa Vasey
Dr Bradman – Barry Daley
Elvira – Tracey Christiansen

Mme Arcarti – Val LeFrere

SPECIAL THANKS TO Gor Rosi @ https://algarvepictures.com for the photos

REVIEW BY

Andrew Constantinou,
WHAT A TRIUMPH

The Algarveans have once again delivered a theatrical delight, but this time, they’ve truly outdone themselves with their production of Blithe Spirit. Having regularly impressed with their past performances—always staged with remarkable professionalism for an amateur theatre group—this latest offering stands as their best yet.

From start to finish, the production was a joy to watch. The direction was sharp, ensuring a well-paced and engaging performance that brought Noël Coward’s witty and supernatural comedy to life. The cast delivered their roles with impeccable timing and energy, making the most of Coward’s sparkling dialogue and ghostly mischief. The chemistry between the actors kept the audience entertained throughout, and every character felt fully realised.

The staging and technical aspects were equally commendable, with effective set design, lighting, and sound enhancing the otherworldly atmosphere. The attention to detail was evident, creating a polished and immersive experience that would not be out of place in a professional setting.

It’s a pleasure to see The Algarveans continue to raise the bar, and Blithe Spirit was an absolute triumph. If this production is any indication of what’s to come, I eagerly anticipate their future performances.

Bravo to the entire cast and crew for a thoroughly entertaining evening!

 

 

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Blithe Spirit by Noel Coward
Director – Frank Remiatte
Message from our director
I want to once again thank everyone that came out to audition for Blithe Spirit! We had a wonderful turn out and the decision was a tough one. But I am pleased to announce the cast list!
Charles Condomine – Trevor Vasey
Ruth Condomine – Angela Theobold
Elvira – Tracey Christiansen
Madame Arcati – Val Lefrere
Dr. Bradman – Barry Daley
Mrs. Bradman – Lisa Vasey
Edith – Maria Jähn
Congratulations to all and I look forward to working with you starting January 7th!
Frank Remiatte
Director

 

Sister Act – The Musical
Music by Alan Menken, Book by Cheri Steinkellner & Bill Steinkellner, Lyrics by Glenn Slater, Additional Book Material Douglas Cater Beane
Based on the Touchstone Pictures Motion Picture “Sister Act” written by Joseph Howard
Directed by Carmen Danen, Assistant Director Sarah Burbridge
MD – Carmen Danen
Choreographer – Shelley Dança
Carlos do Carmo auditorium, 13-17th November 2024

Your November Newsletter

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Directed by Tracey Christiansen

Dance Director – Shelley Danca

Music Director – Shirley Devlin

A Magical Pantomime by Alan P Frayn

It’s behind you!

A Beginner’s Guide to Panto

The Algarveans rehearsals for CINDERELLA – A PANTO are in full swing.

But say the word ‘panto’ to many non-Brits and you will likely receive a blank look. So for those unfamiliar with the tradition of panto, here is a beginner’s guide to this wonderful British institution.

The story of pantomime is a tale of good versus evil with men dressed as women and women masquerading as young men. Over the centuries it travelled from Ancient Greece to Britain via Italy and France, transforming into a unique concoction of eccentricity and absurdity. Shows are usually based on well-known children’s stories such as Aladdin, Jack and the Beanstalk, Sleeping Beauty etc., and as such it has appeal for all ages.

The audience shares the knowledge that the Audience participation is an important part of the show with the audience encouraged to boo the villain, argue with the Dame (played by a man), and warn the hero (usually played by a young woman) of impending danger.

Slapstick is another traditional element – the throwing of pies, plenty of falling over, outrageous costumes and naturally a dancing pantomime animal.

At the end of the show, good will have conquered evil, song and dance will have been performed and everyone lives happily ever after.

It is generally acknowledged that this curious form of entertainment is modelled on the early masques of the Elizabethan and Stuart periods, having been inspired by the Commedia dell’arte, improvised street theatre from Italy. Distinctive masks allowed the audience to recognise stock characters while enabling the actors to make risqué or topical jokes, a key element of pantos today.

Eventually, pantomime worked its way into British theatre. During the Victorian age, the central comic character became a poor, widowed woman, finally resulting in the eccentric figure of the Dame, a role first created and performed by a man, and acted ever since by men.
Dame is not really a woman but the pantomime’s absurdity relies on the fact that we are all in on the joke. And that’s part of the fun and magic of panto.

Cinderella is playing at the Carlos de Carmo Auditorium in Lagoa on 17 & 18 November at 7:45pm and Matinées 18 & 19 November at 2:00pm. Tickets priced at €15 can be bought online at bol.pt or in person at Auditório Carlos do Carmo, Convento de S. José in Lagoa and at Município de Lagoa – Balcao Único. Also available at Worten and FNAC outlets.

Last Tango in Little Grimley & Lockdown in Little Grimley by David Tristram

Directed by Angela Theobold