Enjoy our fab video from our two Murder Mystery shows this month.

Our May Newsletter here

See our January Newsletter –    http://eepurl.com/iHLN8I


Directed by Tracey Christiansen

Dance Director – Shelley Danca

Music Director – Shirley Devlin

A Magical Pantomime by Alan P Frayn

It’s behind you!

A Beginner’s Guide to Panto

The Algarveans rehearsals for CINDERELLA – A PANTO are in full swing.

But say the word ‘panto’ to many non-Brits and you will likely receive a blank look. So for those unfamiliar with the tradition of panto, here is a beginner’s guide to this wonderful British institution.

The story of pantomime is a tale of good versus evil with men dressed as women and women masquerading as young men. Over the centuries it travelled from Ancient Greece to Britain via Italy and France, transforming into a unique concoction of eccentricity and absurdity. Shows are usually based on well-known children’s stories such as Aladdin, Jack and the Beanstalk, Sleeping Beauty etc., and as such it has appeal for all ages.

The audience shares the knowledge that the Audience participation is an important part of the show with the audience encouraged to boo the villain, argue with the Dame (played by a man), and warn the hero (usually played by a young woman) of impending danger.

Slapstick is another traditional element – the throwing of pies, plenty of falling over, outrageous costumes and naturally a dancing pantomime animal.

At the end of the show, good will have conquered evil, song and dance will have been performed and everyone lives happily ever after.

It is generally acknowledged that this curious form of entertainment is modelled on the early masques of the Elizabethan and Stuart periods, having been inspired by the Commedia dell’arte, improvised street theatre from Italy. Distinctive masks allowed the audience to recognise stock characters while enabling the actors to make risqué or topical jokes, a key element of pantos today.

Eventually, pantomime worked its way into British theatre. During the Victorian age, the central comic character became a poor, widowed woman, finally resulting in the eccentric figure of the Dame, a role first created and performed by a man, and acted ever since by men.
Dame is not really a woman but the pantomime’s absurdity relies on the fact that we are all in on the joke. And that’s part of the fun and magic of panto.

Cinderella is playing at the Carlos de Carmo Auditorium in Lagoa on 17 & 18 November at 7:45pm and Matinées 18 & 19 November at 2:00pm. Tickets priced at €15 can be bought online at bol.pt or in person at Auditório Carlos do Carmo, Convento de S. José in Lagoa and at Município de Lagoa – Balcao Único. Also available at Worten and FNAC outlets.

Last Tango in Little Grimley & Lockdown in Little Grimley by David Tristram

Directed by Angela Theobold

Directed by Tracey Christiansen

Dance Director – Shelley Danca

Music Director – Shirley Devlin

Nunsense by Dan Goggin
Directed by Paul Kloegman, Frank Remiatte
MD – Shirley Devlin
Choreographer – Shelley Danca
Carlos do Carmo auditorium, 7-9th April 2022
  • Tracey Christiansen. Sister Mary Regina
  • Angela Theobold Sister Mary Hubert.
  • Karen Barroso. Sister Mary Amnesia.
  • Joana Jacob  Sister Mary Leo.
  • Val Le Frere Sister Robert Anne.
  • Joana Jacob  Sister Mary Leo.
Duets by Peter Quilter
Directed by Jim LandisA.D. Tracey Christiansen
A Bunch of Amateurs, by Ian Hislop and Nick Newman.
Directed by Paul Kloegman,  A.D. Gloria Costa

Musical Theatre Production of the Wizard of Oz

written by L. Frank Baum

directed Karen Barroso.

The enchanting story of Dorothy Gale and her companions on the road to the Emerald City.

Written by Ron Clark Directed by Jim Landis.

A wonderful ,studio production, comedy about friendship and ageing

Written by Amanda Whittington. Feel good comedy. “All the charm of Calendar Girls and The Full Monty, with a good dollop of Dinner Ladies”.

Directed by Angela Theobold.

Written by Brian Clark. Originally a television drama in 1975, Whose Life is it Anyway? has won awards for the London stage play and also the Broadway production.

Directed by Paul Kloegman.